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Director Michael Lindsay-Hogg Talks About ‘Let It Be’ and ‘Get …

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  • Summary: Articles about Director Michael Lindsay-Hogg Talks About ‘Let It Be’ and ‘Get … Michael Lindsay-Hogg, director of the Beatles’ ‘Let It Be’ documentary, offers thoughts on the path from that to Peter Jackson’s ‘Get Back.’

  • Match the search results: Although it was never confirmed (his mother’s best friend, Gloria Vanderbilt, told him after her death that’s what Fitzgerald told her), it’s hard not to see Welles in Lindsay-Hogg’s cigar-chewing, cock-of-the-walk director, as portrayed in Jackson’s cut, becoming a cha…

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The ‘only son’ of Orson Welles to take DNA test – The …

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  • Summary: Articles about The ‘only son’ of Orson Welles to take DNA test – The … British film director Michael Lindsay-Hogg will check paternity after years of rumours that giant of cinema was his father.

  • Match the search results: Now the identity of the baronet’s real father has been queried once again by Welles’s first child, the writer Chris Welles Feder. As a childhood friend of Lindsay-Hogg, Welles Feder has said she has always known he might well be her brother.

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Michael Lindsay-Hogg on directing The Beatles, Get Back …

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  • Summary: Articles about Michael Lindsay-Hogg on directing The Beatles, Get Back … Voices. Michael Lindsay-Hogg on directing The Beatles, Get Back and why he no longer cares if Orson Welles was his father.

  • Match the search results: Get Back, the Beatles documentary directed by Peter Jackson, has provided a stunning insight into the band, during a month in 1969 when they came together to record the album that became Let It Be. Michael Lindsay Hogg directed the film and was responsible for shooting the footage that Jackson has a…

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Michael Lindsay-Hogg is 81 years old today – Frank …

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  • Summary: Articles about Michael Lindsay-Hogg is 81 years old today – Frank … In January, 2010 came word that Lindsay-Hogg was going to take a DNA test to determine if famed American filmmaker, Orson Welles, …

  • Match the search results: A 2015 Welles biography by Patrick McGilligan, however, reports the impossibility of Welles's paternity. McGilligan said that Fitzgerald left the U.S. for Ireland in May, 1939 and was pregnant at the time she returned in late October, while Welles did not travel overseas during that period.

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is Beatles director the son of orson welles? – Independent.ie

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  • Summary: Articles about is Beatles director the son of orson welles? – Independent.ie The esteemed film and TV director Michael Lindsay-Hogg has long been the subject of rumours about his being the illegitimate son of movie legend Orson …

  • Match the search results: He's the child of Wicklow-born Irish film actress Geraldine Fitzgerald, who was married at the time of Micheal's birth to an English aristocrat, Sir Edward Lindsay-Hogg, and living in New York. But it's alleged she also had an affair with Orson Welles, who at that time was in his lady…

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Michael Lindsay-Hogg Claims He Is Orson Welles’ Secret Son

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  • Summary: Articles about Michael Lindsay-Hogg Claims He Is Orson Welles’ Secret Son Orson Welles’ secret love child … Michael Lindsay-Hogg, mostly known for co-directing Brideshead Revisited for Granada television back in 1981, …

  • Match the search results: It is perhaps easier for a woman than a man to be the child of someone famous. You want to have your own success in life and I didn’t want to be Orson Welles’s daughter. I eventually came out of his shadow though. It is a universal problem, I know, but imagine if your father is a monumentally famous…

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Michael Lindsay-Hogg’s life of luck, circumstance – Los …

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  • Summary: Articles about Michael Lindsay-Hogg’s life of luck, circumstance – Los … … he was born in 1940, Michael Lindsay-Hogg learned from his mother when he was 16 that there was talk that his father was Orson Welles, …

  • Match the search results: But the boy quickly realized he looked a lot more like the corpulent Welles than the tall, thin Edward Lindsay-Hogg, who left the family in 1943 to return to Ireland. The rumor dogged him for years, from people telling him how much he looked like Welles to having the man himself drift in and out of…

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You My Father, Orson Welles – The New York Times

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  • Summary: Articles about You My Father, Orson Welles – The New York Times Michael was born in 1940 to Fitzgerald and her husband, Sir Edward Lindsay-Hogg, a British expat who seemed to drink more than he worked. He …

  • Match the search results: Michael was born in 1940 to Fitzgerald and her husband, Sir Edward Lindsay-Hogg, a British expat who seemed to drink more than he worked. He left America in 1943 to live the rest of his life in Ireland, Spain and Italy. Michael describes him as “a man of fragile temperament” who became something of …

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Luck and Circumstance by Michael Lindsay-Hogg – The Knopf …

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  • Summary: Articles about Luck and Circumstance by Michael Lindsay-Hogg – The Knopf … … Orson Welles, is fascinating.” —Mick Jagger. From acclaimed director Michael Lindsay-Hogg (The Normal Heart, The Beatles’ Let It Be, …

  • Match the search results: Interwoven throughout his narrative is the element of questioning who his father was. Was he the patron saint of American pictures, the legendary genius of the twentieth century, Orson Welles, a consistently inconsistent person in Michael’s life . . . or was he the man who considered himself Mic…

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If “The Beatles: Get Back” has a villain, it might be Michael …

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  • Summary: Articles about If “The Beatles: Get Back” has a villain, it might be Michael … Enter Michael Lindsay-Hogg, the cigar-chomping director of “Let It Be,” … He may have even been the son of Orson Welles—a mystery that has …

  • Match the search results: Enter Michael Lindsay-Hogg, the cigar-chomping director of “Let It Be,” the 1970 film that had the misfortune of being released in the days after McCartney announced the Beatles’ demise to a crestfallen world.

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Geraldine Fitzgerald – IMDb

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  • Summary: Articles about Geraldine Fitzgerald – IMDb Mother of director Michael Lindsay-Hogg, Orson Welles was his biological father from a brief affair. She was also the mother of clinical psychologist Susan …

  • Match the search results: During her first marriage, she was Lady Lindsay-Hogg. Her son Michael inherited the title of Lord.

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“let it be” ManagerMichael Lindsay-Hoggcouldn’t be happier withPeter Jackson”Get Back,” a nearly eight-hour three-parter made up of hits from his original Beatles documentary, premiered two weeks ago on Disney Plus and drew a lot of attention. .

Lindsay-Hogg is now 81 years old, lives in Hudson, NY with his wife and three dogs and primarily paints. He hopes Apple Corps will deliver on its promise to re-release the original version “in some form,” inherent is always seen in light ofThe Beatles”The split was sharp just before it finally came out in 1970.

“For years I’ve been provoking Apple into releasing Let It Be,” says Lindsay-Hogg. “It’s been happening for 20 years. I loved the people there, but all the stupidity inside got in my way. “

While in London three years ago, Lindsay-Hogg met Apple Corps Executive Producer Jonathan Clyde, who told him that Lord of the Rings director Peter Jackson “wants to try” when it comes to his footage condense into a much longer clip. pieces.

“It’s an English term that means ‘to join,'” he explains. “There’s another cricket term called ‘wobble’, which is an out-of-consonance pitch. When I heard that, Jonathan was worried that I was going to throw a “lose” and would be very upset. “

Instead, it was the best news Lindsay-Hogg could hear. “I didn’t want to go back and cut it myself,” he explained. “I was there and did it 50 years ago.”

Lindsay-Hogg, who originally started out as a producer on the hit British ’60s music show Ready Steady Go, where he first met the Beatles and the Stones, went on to direct their first commercials – a precursor to music videos – this as an opportunity for people to re-evaluate his work on Let It Be.

“By the time I finished filming in late January 1969, the Beatles hadn’t disbanded,” Lindsay-Hogg pointed out, and in fact the group was so energetic that they finished recording “Abbey Road” until before the album ” Let It Be” is released. “I now realize that my edit is a very accurate, cinematic picture of what happened when I worked with the Beatles for a month in 1969.”

The son of Irish Broadway theater and Oscar-nominated film star Geraldine Fitzgerald (“Wuthering Heights”), Lindsay-Hogg has been dogged his entire life by rumors that his biological father is nobody. The other is Orson Welles, whose mother started a business by starring him. in one of his Mercury Theater productions. Although most people would assume Lindsay-Hogg is British, he was born in New York City and spent the first six years of his life in Los Angeles before moving east when his mother blanched. Lindsay-Hogg received “Sir” from her legal father, Sir Edward Lindsay-Hogg, a fourth baron who eventually inherited the title.

Although it was never confirmed (his mother’s best friend, Gloria Vanderbilt, told him after her death that Fitzgerald said)you), it’s hard not to see Welles as Lindsay-Hogg’s cigar-cheating, pro-walking director who, as portrayed in Jackson’s cut, becomes a character in his own sophisticated scene in the film.

Michael said: “From the start Peter said he was doing a documentary about making a documentary. “You’re in a crowd, mate,” he told me. “Even if I wanted to get you out of there, I can’t.”

Lindsay-Hogg joined the original Let It Be project after filming the Beatles video for Hey Jude, in which they performed to a small audience for the first time in years, sparking the idea of ​​a television special as a concert spawned by new and old songs is played in front of fans. This turned into a documentary filming a new album by four people, raising questions about how it would end.

“The 12-hour shoot for The Beatles’ ‘Get Back’ rehearsal wasn’t that exciting,” says Lindsay-Hogg. “We were all having lunch in the Apple conference room when I said I thought we needed a conclusion on where to go. Yoko asks the question, “Are the conclusions important?” And I was like, “Oh…this is my first tripod.” I think we need something to close it. “

As presented in “Get Back”, various locations were discussed, including Cavern (“too small”), Primrose Hill (“we lost our license”) or the aforementioned amphitheater in Libya.

“I wanted to do it there because it was the center of the world, the cradle of civilization,” he said. “I know it’s my duty to provide answers.”

“Get Back” features engineers Glyn Johns and Lindsay-Hogg face up and shows the concert taking place on the roof of Apple’s HQ on Bond Street in central London. Michael insists it was his idea.

“I said, ‘Why don’t we do this on the roof? ‘ And John said, ‘What are you doing on the roof? “And I said, ‘A concert,'” recalls the director.

After Lindsay-Hogg reinforced the roof with some wooden poles (“It’s a title in itself, ‘Beatles Swallowed Up By Their Own Roofs'”), Lindsay-Hogg continued the montage with 10 cameras, five on the roof, three on the street to capture public reactions, one on the building across the street to capture wide-angle shots, and a hidden two-way camera in Apple’s lobby that caught the attention of fashionistas in London.

The band was still hesitating when the day of the shoot came, with cool weather of 43 degrees accompanied by strong winds. Lindsay-Hogg, the four Beatles and Ono gathered at around 12:30 p.m. in a small lounge just below the roof. George Martin and Glyn Johns were down in the studio preparing to record.

“Ringo thinks it’s too cold; He worries guitarists can’t feel their fingers. George said, “What is this? Why do we want to play these songs again?” It’s now a massive hit. He’s usually a great, welcoming guy, but he had to face his own frustration trying to get others to record his song, Paul was the hardest pressure to play, he knew what we had to do. It was special at the time. He knew the only thing that could hold the Beatles together was to play for the audience, to keep that relationship alive. Like that if it was two to one at that point, then out of the silence came the voice of John Lennon, “Fuck it… let’s do it.” And that was the deciding vote, they went to the roof and into history and that was it the last time they played together like that.”

Aside from Lindsay-Hogg keeping a cigar in his mouth (“You Can’t Chew a Cigarette”), one of the film’s highlights is smoking, sadly reminding young George Harrison of his frequent wheezing. in the band, would die of throat cancer in 2001 at the age of 58. Ironically, in all of this there is no indication that the band smoked anything illegal.

“That was a good question because I knew they were all smokers at the time,” says Michael. “They were called ‘cigars’ back then. I don’t remember seeing or smelling anything rolled. But when they’re at work, they need a nicotine fix.”

Not to mention tea, toast and jam carefully served by her trusty recorder, the late Mal Evans, with his boyish Dutch haircut.

The Rooftop Concert remains a hit on both “Let It Be” and “Get Back.” Three of the versions performed and recorded by the band at the time, “I’ve Got a Feeling”, “One After 909” and “Dig a Pony”, appeared on the album Let It Be. Jackson’s cut included the entire 44-minute performance, but Lindsay-Hogg chose to edit it.

“I didn’t want to start wrong or relearn because we’ve seen all these rehearsals,” he said. “I wanted it to look like a concert.

“Remember they are used to performing live in Hamburg six nights a week from 8pm to 4am and only need a break to go to the bathroom. The great thing is that all four are together. ”

Critics scoffed at Lindsay-Hogg’s alleged pomp on camera, but that’s like cats getting the Beatles to do the job.

“That’s what Peter [Jackson] told me initially. He had a fairly easy meeting with Paul and Ringo since they were old people now. When “Let It Be” became a documentary about the making of the album, I wanted them to play in a place where the world would see them. I don’t just enjoy smoking my cigar and going to a gig with the Beatles. I tried to get the job done. To be on their board, throw them in.”

With both “The Rolling Stones Rock and Roll Circus” and “Let It Be”, Lindsay-Hogg, who describes himself as the father of the music video, had a permanent place in rock history, even before he himself directed concert series like Simon

To this day, Lindsay-Hogg is unclear who her father was or if he was really the illegitimate (and only) child of the great Citizen Kane director.

“My mother told Gloria Vanderbilt, her best friend, that Orson Welles is my father and I trusted her completely. My mother is a complicated woman. I loved her so much and we hit it off. What I’ve always looked for and hoped for is that my mother would tell me clearly. I thought she was going to do that after my stepfather died but you know how life is now, she has Alzheimer’s. When she tried to tell me she couldn’t remember what she was talking about. “

With the debut of Get Back, Lindsay-Hogg is poised to take Let It Be in a new light, beyond the immaturity that caused its premieres in New York, London and Liverpool where no bands were present.

The group had previously signed on to direct the film. “The only complaint I received was that it was a bit long, and [Apple employee] Peter Brown told me he received three calls saying, ‘Too many John and Yoko. ‘” says Lindsay-Hogg.

They were also absent when the film won the now-defunct Oscar for Original Song Score, which Quincy Jones accepted for them.

“I’d love to see Peter put ‘Get Back’ together,” he said. “It was like mine was a short story and his was a full-length novel. Everyone has different qualities, but I believe that both can exist together. Peter was very supportive and provided us with the same equipment that he developed for his filmmaking. The original DP, Tony Richmond and I worked on the print, it was much brighter and had no problems with the image being cropped for TV viewing.

“People still live in confused memories of what happened back then. “Let It Be” is not a breakup film. We finished it long before it all exploded. It’s a fun movie when they have fun and perform on the roof. It is great. ”

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Michael Lindsay-Hogg on seeing his mother, Geraldine Fitzgerald, onscreen, The Maltese Falcon, the Orson Welles question, his complicated lineage.

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From a 2015 interview, Michael Lindsay Hogg talks about his time with The Beatles during the recording of their legendary Let It Be project, which has recently been reworked as Get Back.

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Born and raised in New York City and rumoured progeny of Orson Welles, Mr. Lindsay-Hogg was a pioneer of the music video, directing the 1960s British television rock series “Ready, Steady, Go!” and The Beatles final public performance and film, Let It Be. He is also a painter and published author of LUCK AND CIRCUMSTANCE.

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